A Comprehensive Guide to Writing Creative Nonfiction
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Many books and articles focussing on the craft of creative nonfiction quote William Zinsser's work "On Writing Well: The Classic Guide to Writing Nonfiction" as well as "Inventing the Truth: The Art and Craft of Memoir." First published thirty years ago in 1976, Zinsser's "On Writing Well: The Classic Guide to Writing Nonfiction" has become a staple in the field of creative nonfiction. Zinsser, a notable author and teacher, wrote his book as a result of teaching some of the first creative nonfiction courses in America in the early 1970s. Like Sol Stein's "On Writing," Zinsser crafted his book to help writers at any level to become stronger writers. And he notes: "My purpose is not to teach good nonfiction or good journalism, but to teach good English that can be put to those uses, or to any uses. Don't assume that bad English can still be good journalism, or good business writing, or good technical writing, or good travel writing, or good sports writing. It can't. Good English is your passport to wherever you need to go in your writing, your work and your life. All the writers I've quoted in this book are vastly different in personality and style. But all of them write good English. You can, too" (Zinsser, xi). Unlike Stein, Zinsser chooses to deal with just the subgenres of nonfiction. To this end, "On Writing Well" is separated into four distinct parts that allow writers to focus in on the distinct parts that interest them the most, as well as to make it easier for those who are revisiting the work. From finding ways to make your writing uniquely personal; to dealing with technicalities such as word choice, usage and unity; to the various forms of the nonfiction world, such as interviewing methods, the travel article, the memoir, science and technology articles, business, sports and arts writing; as well as the art of revising and overcoming the fear of writing, Zinsser illustrates all of his concepts with relevant examples and quotes from his own work as well as the work from other creative nonfiction authors. Zinsser's writing is always clear and as such even his most complex topics are easy to understand. One final quote summarizes Zinsser very nicely, "...good wirting can appear anywhere, even in the lowly newspaper, and... what matters is the writing itself, not the medium where it's published. Therefore I've always tried to write as well as I could by my own standards; I've never changed my style to fit the size or presumed education of the audience I was writing for... Besides wanting to write as well as possible, I wanted to write as entertainingly as possible. When I tell aspiring that they should think of themselves as part entertainer, they don't like to hear it - the word smacks of carnivals and jugglers and clowns. But to succeed you must make your piece jump out of a newspaper or a magazine by being more diverting than everyone else's piece. You must find some way to elevate your act of writing into an entertainment" (288). And even though my own personal writing isn't always entertaining, I know it's improving. I also know that my writing will take a huge leap forward having immersed myself in William Zinsser's "On Writing Well." In short, it's an essential guide to the art and craft of writing creative nonfiction. Grade: A
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Confounding.
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A book on writing well should be impeccably written. This one isn't. Extraordinary.
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Good reference for all types of writers
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William Zinsser's book, On Writing Well, has been a popular guide to writing for many audiences. It has been used by undergraduate and graduate students and by aspiring and professional writers. I was recommended this book by a professor when I was in grauduate school. I never took the time to read the book until recently. I found Part I and II of the book to be too simplistic and bland. Zinsser spends more time describing and discussing grammar than actually demonstrating and explaining. There are no examples of grammar just descriptions of how to use it. Perhaps, Zinsser wanted to place more emphasis on writing than grammar in the book. It is not until Part III-Forms that Zinsser addresses how to write about a specific topic. He discusses writing topics such as nonfiction, interviews, travel, memoirs, business, sports, arts and humor. I found this to be the most helpful section of the book. Part IV-Attitudes describes the role and importance of writing style and decisions in writing. If you are looking for a book that teaches grammar or is a reference guide for grammar, this is not it. This book is a reference guide for writers. If you want to learn more about writing particular types of articles or books, refer to Part III-Forms.
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An invaluable guide to effective writing.
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This well-presented, easy-to-read, and simple-to-understand book aimed at nonfiction writers, but from which fiction writers can also benefit, is an invaluable guide to achieving good writing through the continued use of the fundamental principles and practical insights it offers. Written for both beginners and professionals in a strong, clear and straightforward style, it teaches how to avoid bad writing by following a methodological approach to creating, shaping and self-editing your ideas in prose. Although sometimes the author's voice can come across as arrogant and boastful, making your read somewhat less pleasurable, I can assure you that only sound, concrete advice is presented here, free of fluff or tiring verbiage and illustrated by excellent examples that consistently emphasize the differences between correct and incorrect writing. Divided in four parts, each made up of numerous, concise, and easy to consult chapters, it includes topics such as simplicity, style, usage, unity, leads, endings, and audience. Special attention is devoted to various types of nonfiction writing, including interviews, travel articles, memoirs, business writing, scientific and technological writing, sports articles, humor, criticisms and periodical columns. Overall, this is one guide that can't afford to be missing from your bookshelf if you are serious about writing in a polished, well-defined and sharp style. As you write, you will find yourself referring to it again and again.For other books that focus on teaching good writing through the use of the tools of language, I also recommend Strunk's "The Elements of Style" and O'Conner's "Woe Is I" and "Words Fail Me".
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ONE FOR THE KEEPER SELF
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Perfectly updated, Zinsser's book on writing well reminds us of what's important in being an effective writer. This isn't about fiction, but nonfiction. In two days, I've listened to this audio tape four times. The simplicity of Zinsser's advice is refreshing. When I pick up a pen, I always remind myself to keep it simple and say it in as few words a possible. That's pretty much Zinsser's advice. He also believes one who thinks clearly should be able to write clearly. Words are tools. Learn to use the language (tool) "simply and warmly" and you can write, too. He also warns that writing is not easy. A good writer writes and rewrites. Zinsser reminds us that writing is not a contest between writers, but a transaction between the writer and the reader. "My four principles are: Clarity, Simplicity, Brevity and Humanity. If you keep those four principles in mind, there's almost nothing you can't do." Zinsser goes over the four principles and more. Each subject is to the point--as Zinsser's says, "Life is too short." Zinsser gives his readers plenty of wisdom--too much to put in one review. Any writer who takes his own work seriously and wants others to as well should buy the book or audio tape and keep it handy.
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