The book contains 11 elementary rules of usage, 11 elementary principles of composition, a few matters of form, and a list of words and expressions commonly misused that establish the, not a, solid ground, of plain English style in brief space. All these rules and principles are given by William Strunk Jr. in the form of sharp commands, who is appropriately strongly self-confident of his approach to English writing style. The book is enriched by the revision of E. B. White and his addition of a chapter on writing. The author strongly argues that the main elements of correct English style are “cleanliness, accuracy, and brevity”, with a very strong emphasis on the latter. Under Strunk’s sixth principle of composition, Omit Needless Words, he writes:

"Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell."

I liked Strunk’s audaciousness and self-confidence of presenting his view on the topic. He also has a very nice sense of humour, which he had probably never intended. My favourite example is his strong criticism of how the word ‘hopefully’ is used.

"This once-useful adverb meaning “with hope” has been distorted and is now widely used to mean “I hope” or “it is to be hoped.” Such use is not merely wrong, it is silly. To say, “Hopefully I’ll leave on the noon place” is to talk nonsense. Do you mean you’ll leave on the noon plane in a hopeful frame of mind? Or do you mean you hope you’ll leave on the noon place? Whichever you mean, you haven’t said it clearly. Although the word in its new, free-floating capacity may be pleasurable and even useful to many, it offends the ear of many others, who do not like to see words dulled, or eroded, particularly when the erosion leads to ambiguity, softness, or nonsense."

The Elements of Style is full of precious gems that are available to anyone who can read English. The book may be the cheapest to buy and I believe is the most concise and clear book you can ever wish for that teaches you the elements of style in English writing. It is a unique book that you must obtain whether English is you mother tongue or just another language that you speak, because it will teach you elementary principles of style that should be common to all human languages.

During my English composition class as an undergraduate, we had to read this book twice, once at the beginning of the term, and again at the end. I have since referred to the pages so often that I am on my fourth or fifth copy, as the binding and pages have worn out from use. Long before books such as 'Woe is I' or 'Eats, Shoots and Leaves', this book, 'The Elements of Style' has held a certain pride of place in being useful, accessible and interesting in its presentation of a traditionally and typically boring subject - grammar and usage.

Among the pieces I re-read on a frequent basis is the list of commonly misused or abused words and phrases. Here is a list of easily corrected mistakes that the typical writer and speaker needs to keep in mind. Also, the suggestions for composition are gentle reminders that creativity and good craftsmanship need not be contradictory.

This is a wonderful gift and wonderful treat for oneself.

Many years ago I decided that I wanted to be able to write better, but I didn't really know where to begin. I'd taken classes, but I was unsatisfied with what I had learned. I'd learned how to assemble different kinds of essays or papers, but I strongly felt that something was lacking on a more basic level. My writing lacked, well, style.

I happened to ask a professional writer I knew for advice. I asked him how one could become a better writer. The answer he gave me seemed completely underwhelming at the time: "Read the Elements of Style twice a month and compare its advice to your writing," he said. He suggested that I not merely read it once but that I read it continuously, as we all need to be reminded of the guidelines it provides. Writing is a skill that improves with constant practice, much like playing a musical instrument. Take your writing, apply the lessons and guidelines from this book, and see where you can improve things. While he insisted this was the most important advice I could receive, I remained skeptical.

Eventually, I had the good sense to give his advice a shot. Soon afterwards, I was a published writer. I still use this book and refer to it regularly. If you use it regularly in the way my mentor described, it will make you a better writer as well.