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I enjoyed "The Marching Season" and "The Mark of the Assassin." I read the unique and brilliant thriller "The Unlikely Spy." With that much going for him, I was really looking forward to a crackling spy thriller in "The Kill Artist." Unfortunately, I was bitterly disappointed. I still love Silva's writing style, and I'll say that up front. His prose is easy to read; you'll consume large chunks of text in one sitting. However, his plotting in this novel is amateurish at best. A painter-master spy (Gabriel Allon) is a cool concept for a protagonist, but then you put him on a surveillance mission? The most exciting thing he does is reprogram an alarm clock! You think I'm kidding, but I guarantee it! So most of the action revolves around Jacqueline Delacroix, who is a supermodel on par with Cindy Crawford or Christy Turlington. And lucky for Jacqueline and Gabriel, the Palestinians never think to look on the cover of any magazine when they're trying to figure out who she is! No, but they happen to notice she's the same chick from some grainy photo of an operation that took place twelve years before! Crickey! One other thing I found annoying about this book is that the first three chapters do not use names for the main characters. Unfortunately, Silva thought it would be cool if he didn't give any of the characters names until later. He thinks it builds suspense, but to the reader it is aggravating reading about "the stranger" who paints, or "the man" who is trying to assassinate a Israeli foreign minister. The underlying moral value in the book is that people have many faces, both private and public. Nobody really knows someone else's identity. In the first chapters of the book, he tries to slam this home so that you feel like you know no one in the book. Things clear up later, but you have to be patient. Unfortunately, patience never pays off for the plot. The action is few and far between. When the climax comes, the result defies logic. The impact on the protagonist is vague. I don't want to spoil it for you, so I'll leave it at that. An untapped resource in this book is the Israeli Intelligence Chief Ari Shamron. He is the most intriguing figure as a gruff and calloused spymaster using agents as pawns, but he was under-utilized. I just can't put a positive spin on this book besides this: Silva has so much potential that I hope his next works harness the imagination we saw in "The Unlikely Spy."
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